Some Liked It Hot: Jazz Women In Film And Television, 1928–1959
(eBook)

Book Cover
Published
Wesleyan University Press, 2011.
ISBN
9780819569677
Status
Available from Hoopla

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Format
eBook
Language
English

Citations

APA Citation, 7th Edition (Style Guide)

Kristin A. McGee., & Kristin A. McGee|AUTHOR. (2011). Some Liked It Hot: Jazz Women In Film And Television, 1928–1959. Wesleyan University Press.

Chicago / Turabian - Author Date Citation, 18th Edition (Style Guide)

Kristin A. McGee and Kristin A. McGee|AUTHOR. 2011. Some Liked It Hot: Jazz Women In Film And Television, 1928–1959. Wesleyan University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 18th Edition (Style Guide)

Kristin A. McGee and Kristin A. McGee|AUTHOR. Some Liked It Hot: Jazz Women In Film And Television, 1928–1959. Wesleyan University Press, 2011.

UCL Harvard Citation (Style Guide)

Kristin A. McGee. and Kristin A. McGee|AUTHOR. (2011). Some liked it hot: jazz women in film and television, 1928–1959. Wesleyan University Press.

MLA Citation, 9th Edition (Style Guide)

Kristin A. McGee, and Kristin A. McGee|AUTHOR. Some Liked It Hot: Jazz Women In Film And Television, 1928–1959. Wesleyan University Press, 2011.

Note: Citations contain only title, author, edition, and publisher. Only UCL Harvard citations contain the year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of May 2025.

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Grouped Work ID74899364-9c99-a3d3-4737-a900a86a84ae-eng
Full titlesome liked it hot jazz women in film and television 1928 1959
Authormcgee kristin a
Grouping Categorybook
Last Update2026-04-01 16:41:02PM
Last Indexed2026-04-09 15:42:46PM

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First LoadedOct 13, 2025
Last UsedApr 8, 2026

Hoopla Extract Information

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    [synopsis] => Women have been involved with jazz since its inception, but all too often their achievements were not as well known as those of their male counterparts. Some Liked It Hot looks at all-girl bands and jazz women from the 1920s through the 1950s and how they fit into the nascent mass culture, particularly film and television, to uncover some of the historical motivations for excluding women from the now firmly established jazz canon. This well-illustrated book chronicles who appeared where and when in over 80 performances, captured in both popular Hollywood productions and in relatively unknown films and television shows.



 As McGee shows, these performances reflected complex racial attitudes emerging in American culture during the first half of the twentieth century. Her analysis illuminates the heavily mediated representational strategies that jazz women adopted, highlighting the role that race played in constituting public performances of various styles of jazz from "swing" to "hot" and "sweet." The International Sweethearts of Rhythm, Hazel Scott, the Ingenues, Peggy Lee, and Paul Whiteman are just a few of the performers covered in the book, which also includes a detailed filmography.
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