The Riots
(eBook)

Book Cover
Published
University of Georgia Press, 2011.
ISBN
9780820339726
Status
Available from Hoopla

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Format
eBook
Language
English

Citations

APA Citation, 7th Edition (Style Guide)

Danielle Cadena Deulen., & Danielle Cadena Deulen|AUTHOR. (2011). The Riots. University of Georgia Press.

Chicago / Turabian - Author Date Citation, 18th Edition (Style Guide)

Danielle Cadena Deulen and Danielle Cadena Deulen|AUTHOR. 2011. The Riots. University of Georgia Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 18th Edition (Style Guide)

Danielle Cadena Deulen and Danielle Cadena Deulen|AUTHOR. The Riots. University of Georgia Press, 2011.

UCL Harvard Citation (Style Guide)

Danielle Cadena Deulen. and Danielle Cadena Deulen|AUTHOR. (2011). The riots. University of Georgia Press.

MLA Citation, 9th Edition (Style Guide)

Danielle Cadena Deulen, and Danielle Cadena Deulen|AUTHOR. The Riots. University of Georgia Press, 2011.

Note: Citations contain only title, author, edition, and publisher. Only UCL Harvard citations contain the year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of May 2025.

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Grouped Work ID2d567555-3d85-378a-0614-4af598bd02dc-eng
Full titleriots
Authordeulen danielle cadena
Grouping Categorybook
Last Update2026-04-01 16:41:02PM
Last Indexed2026-04-09 15:31:23PM

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First LoadedJan 12, 2026
Last UsedFeb 26, 2026

Hoopla Extract Information

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    [synopsis] => Constantly surprising, these personal essays explore the attractions and dangers of intimacy and the violence that often arises in close relationships. Deulen's artful storytelling and dialogue also draw the reader into complicated questions about class, race, and gender. 
 
In "Aperture," she considers how she has contributed to her autistic brother's isolation from family and from the world. "Theft" investigates her mother's romantic stories about conquistadors in the context of the Mexican heritage of her biracial family. Throughout the collection Deulen experiments formally, alternating traditional narrative with "still life" essays and collages that characterize a particular time, place, and sensibility. 
 
Deulen is remarkable in her ability to present her own confusion and culpability, and she also writes with compassion for others, such as her own suicidal and unpredictable father or a boy in her class who sets the teacher's hair on fire. In part because she herself so poorly fits the identities she might be assigned-white in appearance, she is in fact half Latina; raised in a poor neighborhood, she has acquired an education associated with the middle class-Deulen sees "otherness" as a useless category and the enemy of intimacy, which she embraces despite its risks. 
 
The Riots seeks to create what Frost called "a momentary stay against confusion," and Deulen investigates her own act of creation even as she uses the craft of writing to put parentheses around the chaos of continuous living.
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