How Linda Nochlin made it modern / Aruna D'Souza
Revolutions in art and history. 1848: the revolution in art history
Meyer Schapiro's Modernism
Courbet, David, and the imaginative afterlife of the French Revolution
Bodies of modernity. Pissarro, Cezanne, and the Eternal Feminine
Renoir's men: constructing the myth of the natural
Body politics: Seurat's Poseuses
Camille Corot: the nude without qualities
Abstracting the body. Bonnard's bathers
The world according to Gober
"Sex is so abstract": the nudes of Andy Warhol
Othering art history. Sex and the "Sepoy Mutiny": the intersection of race and gender in the colonial imaginary
Abstraction and realism. Kelly: making abstraction anew
The realist criminal and the abstract law
Picasso's color: schemes and gambits
Museums and vision. Museums and radicals: a history of emergencies
The museum as Bildungsroman: my life in art, trash, and fashion
The naked and the dread: reviewing the modern nude
Genre and form. Impressionist portraits and the construction of modern identity
Francis Bacon and the fear of narrative
Academic art and the death of narrative
Camille Pissarro: the unassuming eye
Death and gender in Manet's still lives
Art as/and work. The Paterson Strike Pageant of 1913
Van Gogh, Renouard, and the Weavers' Crisis in Lyons
Seurat's Grande Jatte: an anti-utopian allegory
The Cribleuses de ble: Courbet, Millet, Breton, Kollwitz, and the image of the working woman.
