Relegitimating cinema: female spectators and the problem of representation
How do you solve a problem like Susanne?: the female gaze in Wolfgang Staudte's The murderers are among us (1946)
When fantasy meets reality: authorship and stardom in Rudolf Jugert's Film without a title (1948)
Gendered visions of the German past: Wolfgang Liebeneiner's Love '47 (1949) as woman's film
Unsolved mysteries: race, ethnicity, and gender in Helmut Kätner's Epilogue (1950)
Art on film: representing gender and sexuality in popular cinema
"Through her eyes": regendering representation in Willi Forst's The sinner (1951)
Looking at Heimat: visual pleasure and cinematic realism in Alfons Stummer's The forester of the silver wood (1955)
Degenerate art?: problems of gender and sexuality in Veit Harlan's Different from you and me (175) (1957)
Towards the new wave: gender and the critique of popular cinema
Pleasurable negotiations: spectatorship and genre in Helmut Kätner's "anti-tearjerker" Engagement in Zurich (1957)
Sound and spectacle in the Wirtschaftswunder: the critical strategies of Rolf Thiele's The girl Rosemarie (1958)
Gender and the new wave: Herbert Vesely's The bread of those early years (1962) as transitional film
Epilogue: adapting the 1950s: the afterlife of postwar cinema in post-unification popular culture.
