Composing for the cinema: the theory and praxis of music in film

Introduction : the composer in the cinema

Audiovisual analysis, part 1

Production procedures

Audiovisual analysis, part 2 : Elements for the definition of a film-musical dramaturgy

Premix and final mix : The recording and sound design

Compositional elements : Timbre, use of themes, characteristic stylistic features, and combinations of styles

Questions and answers

Appendix 1 : Composing for the cinema: a manifesto

Appendix 2 : Writing for the cinema: aspects and problems of a compositional activity of our time.